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Artist News

Ilana Manolson: The Air We Share

By Artist News

February 7 – March 29, 2026 – Katzen Arts Center at American University Museum, 4400 Massachusetts Avenue NW, Washington, D.C. 20016

Opening Reception: February 7, 2026, 6–9 PM

Ilana Manolson Vernal-Pond

Ilana Manolson, Vernal Pond, 2015. Acrylic on yupo, 28.75 x 24.5 inches.


Painter, printmaker, and naturalist Ilana Manolson presents a solo exhibition that turns our attention to the plants we overlook—the so-called weeds that thrive at the edges of human awareness. The Air We Share elevates these resilient species, revealing how they stabilize soil, retain water, and sustain the interconnected systems we all depend on.

Working from deep botanical observation honed through years as a Parks Canada naturalist, Manolson layers luminous color and delicate detail to trace what she calls “energetic fields”—the invisible forces connecting all living things. In works like Vernal Pond, swirling blues give way to the intricate plant life that depends on and shapes seasonal waters. Her paintings flow between abstraction and representation, making visible the quiet work these plants perform: holding water in place, offering shelter and medicine, renewing degraded land.

This exhibition extends Manolson’s ongoing exploration of water and ecological change. In her recent The River Between at Brattleboro Museum, she examined how water shapes and is shaped by its environment. Here, she shifts focus to the plant life that mediates water’s movement through landscapes, reminding us that every living thing plays a role in the cycles that sustain us.

The Air We Share challenges the hierarchies we impose on nature. At a moment of climate urgency, Manolson’s work invites renewed attention to the interdependence between water, plant life, and the shared breath that connects us all.

Image: Ilana Manolson, Vernal Pond, 2015. Acrylic on yupo, 28.75 x 24.5 inches.

Learn more about the exhibition

Leslie Sobel: Arctic Reverie

By Artist News

January 6 – 30, 2026 – Sheen Center for Thought and Culture – Janet Hennessey Dilenschneider Gallery, 18 Bleecker Street, New York, NY

Gallery Reception January 7 at 5 pm


Think About Water member Leslie Sobel ventures to 82 degrees north to witness water’s most vulnerable transformation. Arctic Reverie is a solo exhibition of paintings from Svalbard, the Arctic archipelago changing faster than anywhere on Earth.

In August 2024, Sobel traveled aboard the polar vessel Ortelius, circumnavigating Svalbard on her second Arctic artist residency. What she documented is climate change made visible—retreating glaciers, polar bears hunting reindeer instead of seals as ice floes disappear, rain and mud where there should be frozen terrain. The work merges abstraction with representation, composed to echo religious icons, honoring what she describes as “something ineffable and sacred about the high latitudes and the power and fragility of the environs and its inhabitants.”

This is art as advocacy. Sobel’s paintings hold space for wonder and grief simultaneously, bearing witness to ecosystems at the precipice of irreversible change. Water in its frozen form defines the Arctic—the ice sustaining food webs, the permafrost holding millennia of carbon, the glaciers regulating global systems. Through experimental approaches to painting, Sobel translates scientific urgency into emotional resonance.

At Think About Water, we believe artists play an essential role in making the climate crisis tangible. Sobel’s work does exactly this—capturing the beauty of a place while mourning its loss, inviting us all to become witnesses to one of the planet’s most critical water stories.

Visit the Sheen Center to learn more about Arctic Reverie

Art that Matters to the Planet: Clarity

By Artist News

August 2 – October 27, 2024 – Roger Tory Peterson Institute – 311 Curtis Street Exd, Jamestown, NY

Art that Matters to the Planet: Clarity, explores the role of art and artists in protecting freshwater ecosystems (including lakes and ponds, rivers and streams, and freshwater wetlands) across the country, and all of the life they support (including fish, reptiles and amphibians, birds and mammals).

Artists play an important role in helping to protect our natural resources. The exhibit features artists who have partnered with environmental organizations, scientists, naturalists, and writers. With their work, they highlight the unique and fascinating worlds of freshwater ecosystems across the country.

The exhibiting artists include our Think About Water members, Basia Irland and Naoe Suzuki.

Working with artists Kaycee Colburn, Sara Baker-Michalak, and Basia Irland, the Roger Tory Peterson Institute and Chautauqua Watershed Conservancy (CWC) will invite community members to plant seeds along the bank, aiding in CWC’s efforts to protect and restore our county’s most valuable aquatic resources. Naoe Suzuki’s project Flow will invite community members to share their stories about water.

Read more

 

Water Stories: the Podcast

By Artist News

Water Stories: the Podcast,” produced by BioBAT Art Space and hosted by Eve Barro, offers an immersive exploration into the intricate relationship between humans and water. Each episode features engaging conversations with experts, artists, and academics who delve into aquatic themes from ecological, cultural, and scientific perspectives. The podcast accompanies BioBAT Art Space’s ongoing exhibition entitled Water Stories, amplifying the themes explored by the artists featured there. Through stories about underwater exploration, marine life, and human impact on aquatic ecosystems, listeners gain a deeper appreciation of water’s vital role in our world.

In the second episode of “Water Stories: the Podcast,” host Eve Barro speaks with artist Naoe Suzuki about her project Flow, which engages communities through shared stories of water, fostering kinship and reciprocity. Suzuki’s art explores personal and collective water relationships, revealing the environmental and cultural impacts on water. The discussion illuminates how collective storytelling and personal narratives can transform our understanding and stewardship of water.

The marine soundscape at the beginning and end of the second episode comes from the body of water at the UK/France border; acknowledging that, as of the time of recording, over 400 people have tragically lost their lives since 1999 due to the hostile immigration policies that make these waters deadly for those seeking safety.

The Podcast series is available online and in BioBAT Art Space listening room in Brooklyn until May 2025.

 

Sant Khalsa awarded the 2023-24 California Arts Council Individual Artist Fellowship

By Artist News

Sant Khalsa was awarded the 2023-24 California Arts Council Individual Artist Fellowship (Legacy level) for her lifetime contributions to California art, environment and community. 

Sant Khalsa is a visual artist whose work derives from a mindful inquiry into critical and complex environmental issues. Her practice balances art making (photography, mixed-media sculpture, and installation), teaching, lecturing, curating, writing, mentoring, and community building. She lives and works in Joshua Tree in San Bernardino County.


Sant Khalsa’s Geothermal Field photographic works made at the Salton Sea are featured in the exhibition “Reflections on a Warming Planet” at Pasadena City College Boone Family and V Galleries in Pasadena, CA from August 26 – September 27, 2024.


Sant Khalsa curated the Getty supported PST ART: Art & Life Collide exhibition with book Desert Forest: Life with Joshua Trees, at the Museum of Art and History (MOAH) in Lancaster, CA, September 7 – December 29, 2024. The exhibition and book brings together artists, scientists, indigenous culture bearers, conservationists, policy makers, historians and creative writers, all focused on the plight of the Joshua tree, threatened by climate change, fire, development, industrial solar and other human impacts. 

Desert Forest focuses on the plight of the iconic Joshua tree and the vital and sensitive Mojave Desert ecosystem that supports it. The tree’s survival is threatened by climate change as well as development, wind and solar energy industries, and wildfires. In August 2020, a lightning strike ignited a fire that destroyed more than 1.3 million trees, prompting the California Fish and Game Commission to consider granting western Joshua trees protection under the California Endangered Species Act. This multidisciplinary project brings together natural history, Indigenous knowledge, public policy, conservation science, and creative works by historic and contemporary artists to spotlight the threatened tree and preservation efforts around it. From the first known photograph of a Joshua tree by Carleton Watkins to recent photographs by Cara Romero, the exhibition brings attention to the Joshua tree, current pressures on its fragile desert ecosystem, and its future viability.

Leila-Daw-Exquisite-River-Delta

Think About Water: Exquisite River

By Artist News

Opening Reception Sunday April 14, 2024, 1-3 pm

Exquisite River is a collaborative installation created by members of the Think About Water collective (TAW). TAW includes over 30 environmental artists/activists in the US and abroad whose work addresses global water issues. Exquisite River is composed of 19 works of art evoking rivers. The images are connected to one another to form one continuous flowing river—a river of images of rivers.

For the exhibition at ECOCA, the 19 artists were inspired by the format of the Surrealist Exquisite Corpse game, in which one artist drew a head, folded the paper so it could not be seen, passed it to another artist who drew the next part of the body, and so on until the paper was unfolded to reveal the whole figure. In the spirit of artistic play and mimicking the fluid nature of rivers, the TAW collective has created an Exquisite River.

For the exhibition, each artist created a section of a river in his or her own studio using their distinctive materials, processes and intentions and without seeing other artists’ contributions. The sections were then assembled into one long river that winds across the gallery walls. The goal of the exhibition is to bring awareness to the importance of rivers to the health of the environment and to encourage visitors to appreciate a river in their own lives.

Personal stories about each of the rivers represented in the exhibition, along with information about the artwork, bios of the artists, and links to their websites are available in a digital catalog accompanying the show.

Contributing Artists: Michelle Boyle, Diane Burko, Betsy Damon, Leila Daw, Rosalyn Driscoll, Susan Hoffman Fishman, Doug Fogelson, Fredericka Foster, Giana Gonzalez, Fritz Horstman, Basia Irland, Sant Khalsa, Stacy Levy, Jaanika Peerna, Ilana Manolson, Aviva Rahmani, Lisa Reindorf, Meridel Rubinstein, Leslie Sobel, Naoe Suzuki.

Download the Exhibition Catalog

Anonymous Was a Woman and New York Foundation for the Arts

$309,000 Awarded to 20 Projects Led by Women-Identifying Artists in the United States and U.S. Territories

By Artist News

Anonymous Was A Woman (AWAW) and The New York Foundation for the Arts (NYFA) have announced the recipients of the Anonymous Was A Woman Environmental Art Grants (AWAW EAG) program, which provides one-time grants of up to $20,000 to support environmental art projects led by women-identifying artists from the United States and U.S. territories. In the 2023 cycle, the second year of the program, a total of $309,000 in grant funding was awarded to 20 projects that will focus on environmental issues and advocacy in locations including Belize, Southern Iraq, Mongolia, New York, Pennsylvania, Tierra del Fuego, West Virginia, and Washington. The 20 projects were selected from 884 applications from artists who reside in the United States and U.S. Territories.

Meridel Rubenstein’s Eden in Iraq Wastewater Garden Project: Inanna Returns to the Marshes as a Mosaic (El-Chibayish, Southern Iraq) will bring ceramic relief tiles referencing Inanna, the Mesopotamian Goddess of Flood and Fertility, to the three main arched entrances of the Eden in Iraq Wastewater Garden in Southern Iraq. Rubenstein imagines the feminine earth-based tile imagery mitigating the 20 year-old effect of the US war effort in Iraq, like the garden flora cleaning waste.

Anonymous Was a Woman and New York Foundation for the Arts (NYFA) Announce 2023 Environmental Art Grants Recipients